Liao's first major and best known project is his Habitat 7 series, which won the first ever New York Times Magazine "Capture the Times" photography contest in 2005. In this project, Liao shot with a large format camera to create large-scale, color panoramic images of the ethnic communities that have grown around the IRT 7 train in Queens, New York. Using multiple exposures created in the same location and taken over the course of several hours, Liao constructed a compelling project that transcends the limits of documentary photography. This series reveals Liao's intensely personal journey through the borough of Queens, evident in the diverse range of subjectivities throughout his photographs.
Monday, September 26, 2011
Jeff Chien-Hsing Liao
Liao's first major and best known project is his Habitat 7 series, which won the first ever New York Times Magazine "Capture the Times" photography contest in 2005. In this project, Liao shot with a large format camera to create large-scale, color panoramic images of the ethnic communities that have grown around the IRT 7 train in Queens, New York. Using multiple exposures created in the same location and taken over the course of several hours, Liao constructed a compelling project that transcends the limits of documentary photography. This series reveals Liao's intensely personal journey through the borough of Queens, evident in the diverse range of subjectivities throughout his photographs.
Alex Prager
Website:
Other online galleries:
Print Publications:
2005 The Book of Disquiet: A Story of the 7 Deadly Sins
Bio:
Alex Prager was born in Los Angeles in 1979. Prager's interest in art began in her adolescence, but it was in her early twenties that she began to focus on photography after being inspired by the work of William Eggleston. In keeping with her independent spirit, she eschewed art school and began taking photographs on her own, teaching herself equipment and lighting through trial and error. Prager has since contributed to a number of publications including New York Magazine and The New York Times Magazine, Dazed and Confused, Details, i-D and Tank. All the while, continuing to exhibit her work in various galleries worldwide.
Major Projects:
2007 Polyester
2008 The Big Valley
2010 Week-End
Lars Tunbjörk
Post Office, Stockholm
1998
Website:
http://www.amadorgallery.com/Lars_Tunbjork.html
Other online galleries:
http://www.agencevu.com/photographers/photographer.php?id=80
Writings/ Blogs:
http://5b4.blogspot.com/2007/06/i-love-boras-by-lars-tunbjork.html
http://www.archive.worldpressphoto.org/search/layout/result/indeling/detailwpp/form/wpp/q/ishoofdafbeelding/true/trefwoord/year/2004/trefwoord/category/Arts%20and%20Entertainment%20stories
Print Publications:
- 1987 Borderless photos
- 1989 If the state of affairs in Paris 200 years afterwards (text Herman Lindqvist )
- 1993 Land beside themselves (text Göran Greider and Thomas Tidholm )
- 2002 Office
- 2002 Home (text Goran Odbratt )
- 2003 Dom all. Reflections on social work (text Goran Odbratt)
- 2006 I Love Boras!
- 2007 Winter
Bio: http://www.amadorgallery.com/Tunbjork_PressRelease.pdf
Born in Stockholm in 1956, Tunbjörk spent the seventies photographing for several national newspapers and publi- cations in his native country. Tunbjörk has exhibited widely in his native Sweden, including a solo exhibition at the Moderna Museet. Additionally he has had solo and group shows across Europe and the US including an exhibition at the International Center of Photography in New York, featuring work from Landet Utom Sig.
Major Projects:
- 1993 Hasselblad Center , Gothenburg
- 1994 Nordic Museum , Stockholm
- 1995 International Center of Photography (Midtown), New York , USA
- 1998 Photographic Centre , Copenhagen , Denmark
- 1999 Galerie Vu , Paris , France
- 2002 Museum of Work , Norrköping
- 2002 Kulturhuset , Stockholm
- 2002''Home'', Hasselblad Center, Gothenburg
- 2004 Moscow Photo Biennale, Russia
- 2004''Folklore'', Borås Art Museum
- 2007 Open Eye Gallery, Liverpool , UK
- 2007''Winter / Home'', Museum of Modern Art
- 2011''LA Office, Shop, Wunderbaum'', Skellefteå Konsthall
Eliot Lee Hazel
Writings/ Blogs:
Bio:
Eliot Lee Hazel, 1971, UK, is a California based photographer. He makes
gritty and cinematic images. They are well composed, stylish yet have a raw
edge. He has worked for various musicians like Morcheeba, Yeasayer and
Basement Jaxx and with actresses as Shannyn Sossamon. His images are
fragments of stories told, triggering the brain to start associating. Eliot's
images can be compared to cliffhangers, raising more questions than answers.
Major Projects:
Museum of Contemporary Art- Designer Ryan Heffington
The Girl who Robbed a Bank
X on a String
Sunday, September 25, 2011
Amy Stein
Amy Stein's Website
Other Online Galleries:
Koch Gallery
Clamp Art
Art Net
Selected Online Articles:
Examiner - "Domesticated: Modern Dioramas of Our New Natural History"
PSFK - "The Surreal Photographs of Amy Stein"
Saatchi Online Magazine - "Congratulations to Saatchi Online Artist Amy Stein"
Gaurdian - "Photographer Amy Stein's Best Shot"
Selected Print Publications:
Photography: Tenth Edition, Upton and Stone, 2010
Domesticated, Photolucida, 2008
The Altered Landscape: Photographs of a Changing Environment, Rizzoli Press, 2011
Short Bio:
Amy Stein (b. 1970) is a photographer and teacher based in New York City. Her work explores our evolving isolation from community, culture and the environment. She has been exhibited nationally and internationally and her work is featured in many private and public collections such as the Philadelphia Museum of Art, the Museum of Contemporary Photography, the Nevada Museum of Art, the Nerman Museum of Contemporary Art and the George Eastman House Photography Collection.
Amy was raised in Washington, DC, and Karachi, Pakistan. She holds a BS in Political Science from James Madison University and a MS in Political Science from the University of Edinburgh in Scotland. In 2006, Amy received her MFA in photography from the School of Visual Arts in New York. Stein teaches photography at Parsons The New School for Design and the School of Visual Arts in New York City.
(Source)
Major Projects:
Domesticated
Stranded
Monday, September 19, 2011
Michael Ackerman
Untitled, from End Time City, 1999
Website:
http://www.agencevu.com
Writings/ Blogs:
Interview with Webesteem Magazine
“Darkness Visible” exhibit at Gallery Lumiere
Interview with Artnet Magazine
Print Publications:
End Time City (1999)
Fiction (2001)
Half Life (2010)
Bio:
American. Born in 1967 in Tel Aviv. Lives in Berlin.
Since his first exhibition, in 1999, Michael Ackerman has made his mark by bringing a new, radical and unique approach. His work on Varanasi, entitled "End Time City," breaks away from all sorts of exoticism or any anecdotal attempt at description, to question time and death with a freedom granted by a distance from the panoramic – whose usage he renewed – to squares or rectangles.
In black and white, with permanent risk that led him to explore impossible lighting, he allowed the grainy images to create enigmatic and pregnant visions. Michael Ackerman seeks – and finds – in the world he traverses, reflections of his personal malaise, doubts and anguish. He received the Nadar Award for his book "End Time City" in 1999, and the Infinity Award for Young Photographer by the International Center of Photography in 1998.
Major Projects:
New York (1999)
End time City, Varanasi (1999)
Smoke (2000)
Fiction (2001)
Poland(1999-2007)
Half Life (2010)